Our Programmes

Our Programmes — The Reading Fox

Who It's For

The Reading Fox is for Years 10–12 students in English EAL/D, Standard, Advanced or Extension who are already capable and want to go further. These are students who can write a solid essay but want to write one that stands out. Students who do well but know there's a gap between where they are and where they could be.

If your child is aiming for Band 6, a state ranking, or simply wants the kind of expert-led teaching that most classrooms can't offer, this is the room they should be in.

Find Your Programme

Programmes are shaped around the student’s year, English course, modules and school-prescribed texts. Choose a year level to see how our classes are organised.

Year 10 — School-Aligned English

Classes follow the sequence, assessment demands and texts taught at the student’s school. See school-specific Year 10 groups below, or enquire if your school is not yet listed.

Year 9 is not a standard programme offering. It appears only as an exceptional school-specific intake where noted below.

HSC courses, modules and prescribed texts

Open a course to see modules and the prescribed options we teach to. Pairings for Textual Conversations are kept together exactly as prescribed.

School-specific class currently offered

Year 11 — Scots College

Texts and human experiences

  • Past the Shallows by Favel Parrett (Prose fiction)
  • Flock: First Nations Stories Then and Now by Ellen van Neerven (ed) (Prose fiction)
  • Coast Road: Selected Poems by Robert Gray (Poetry)
  • My People by Oodgeroo Noonuccal (Poetry)
  • Stories of Me by Ian Darling (Media)
  • The Boy Behind the Curtain by Tim Winton (Nonfiction)

Where a poetry or short-story collection is prescribed, the complete NESA-listed selections apply.

Language, identity and culture

  • The Namesake by Jhumpa Lahiri (Prose fiction)
  • Swallow the Air by Tara June Winch (Prose fiction)
  • The Perseverance by Raymond Antrobus (Poetry)
  • The Collected Poems by Langston Hughes (Poetry)
  • Miss Peony by Michelle Law (Drama)
  • Unpolished Gem by Alice Pung (Nonfiction)

Where a poetry or short-story collection is prescribed, the complete NESA-listed selections apply.

Close study of text

  • Small Things Like These by Claire Keegan (Prose fiction)
  • Fahrenheit 451 by Ray Bradbury (Prose fiction)
  • The Collected Poems by Robert Frost (Poetry)
  • Judith Wright: Collected Poems by Judith Wright (Poetry)
  • Rainbow's End by Jane Harrison (Drama)
  • Arrival by Denis Villeneuve (Film)

Where a poetry or short-story collection is prescribed, the complete NESA-listed selections apply.

Writing

This module centres on student composition. The 2027–2030 revised prescriptions do not list a separate prescribed-text corpus for Writing / The Craft of Writing.

Texts and human experiences

  • Cold Enough for Snow by Jessica Au (Prose fiction)
  • An Imaginary Life by David Malouf (Prose fiction)
  • The Penguin Henry Lawson Short Stories by Henry Lawson (Prose fiction)
  • Selected poems of Rosemary Dobson by Rosemary Dobson (Poetry)
  • Selected Poems by Gwen Harwood (Poetry)
  • Love Poems and Death Threats by Samuel Wagan Watson (Poetry)
  • Question 7 by Richard Flanagan (Nonfiction)
  • Away by Michael Gow (Drama)
  • One Night the Moon by Rachel Perkins (Film)

Where a poetry or short-story collection is prescribed, the complete NESA-listed selections apply.

Language, identity and culture

  • The Namesake by Jhumpa Lahiri (Prose fiction)
  • Swallow the Air by Tara June Winch (Prose fiction)
  • The Perseverance by Raymond Antrobus (Poetry)
  • Contemporary Asian Australian Poets by Adam Aitken, Kim Cheng Boey and Michelle Cahill (eds) (Poetry)
  • The Quiet Girl by Colm Bairéad (Film)
  • Shafana and Aunt Sarrinah by Alana Valentine (Drama)

Where a poetry or short-story collection is prescribed, the complete NESA-listed selections apply.

Close study of literature

  • Feed by MT Anderson (Prose fiction)
  • Limberlost by Robbie Arnott (Prose fiction)
  • Collected Poems by Carol Ann Duffy (Poetry)
  • My People by Oodgeroo Noonuccal (Poetry)
  • Much Ado About Nothing by William Shakespeare (Drama)
  • Arrival by Denis Villeneuve (Film)

Where a poetry or short-story collection is prescribed, the complete NESA-listed selections apply.

The craft of writing

This module centres on student composition. The 2027–2030 revised prescriptions do not list a separate prescribed-text corpus for Writing / The Craft of Writing.

School-specific class currently offered

Year 11 — Newington College

Year 12 — Scots College

Texts and human experiences

  • Cold Enough for Snow by Jessica Au (Prose fiction)
  • An Imaginary Life by David Malouf (Prose fiction)
  • The Penguin Henry Lawson Short Stories by Henry Lawson (Prose fiction)
  • Selected poems of Rosemary Dobson by Rosemary Dobson (Poetry)
  • Selected Poems by Gwen Harwood (Poetry)
  • Love Poems and Death Threats by Samuel Wagan Watson (Poetry)
  • Question 7 by Richard Flanagan (Nonfiction)
  • Away by Michael Gow (Drama)
  • One Night the Moon by Rachel Perkins (Film)

Where a poetry or short-story collection is prescribed, the complete NESA-listed selections apply.

Textual conversations

  • Bush Studies by Barbara Baynton (Prose fiction)

    with

    Inside My Mother by Ali Cobby Eckermann (Poetry)

  • The Complete Poems by William Blake (Poetry)

    with

    Drive Your Plow Over the Bones of the Dead by Olga Tokarczuk (Prose fiction)

  • The Complete Poems by John Keats (Poetry)

    with

    Bright Star by Jane Campion (Film)

  • Hamlet by William Shakespeare (Drama)

    with

    The Complete Poems by Emily Dickinson (Poetry)

  • Julius Caesar by William Shakespeare (Drama)

    with

    The Prince by Niccolò Machiavelli (Nonfiction)

  • Mrs Dalloway by Virginia Woolf (Prose fiction)

    with

    The Hours by Stephen Daldry (Film)

Where a poetry or short-story collection is prescribed, the complete NESA-listed selections apply.

Critical study of literature

  • Pride and Prejudice by Jane Austen (Prose fiction)
  • Warlight by Michael Ondaatje (Prose fiction)
  • Poems by Louise Glück (Poetry)
  • WB Yeats: Poems selected by Seamus Heaney by William Butler Yeats (Poetry)
  • Othello by William Shakespeare (Drama)
  • King Henry IV, Part 1 by William Shakespeare (Drama)

Where a poetry or short-story collection is prescribed, the complete NESA-listed selections apply.

The craft of writing

This module centres on student composition. The 2027–2030 revised prescriptions do not list a separate prescribed-text corpus for Writing / The Craft of Writing.

Extension 1 and Extension 2 are dedicated classes, not modules inside Standard or Advanced.

Extension 1 — Confessional worlds

  • The Tenant of Wildfell Hall by Anne Brontë (Prose fiction)
  • The White Album by Joan Didion (Nonfiction)
  • Birthday Letters by Ted Hughes (Poetry)
  • The Collected Stories by Katherine Mansfield (Prose fiction)
  • The Glass Menagerie by Tennessee Williams (Drama)
  • The Darjeeling Limited by Wes Anderson (Film)

Where a poetry or short-story collection is prescribed, the complete NESA-listed selections apply.

Extension 1 — Historical worlds

  • Selected Poems by WH Auden (Poetry)
  • Possession by AS Byatt (Prose fiction)
  • The Hare with Amber Eyes by Edmund de Waal (Nonfiction)
  • North and South by Elizabeth Gaskell (Prose fiction)
  • An Artist of the Floating World by Kazuo Ishiguro (Prose fiction)
  • Marie Antoinette by Sofia Coppola (Film)

Where a poetry or short-story collection is prescribed, the complete NESA-listed selections apply.

Extension 1 — Hybrid worlds

  • Dropbear by Evelyn Araluen (Poetry)
  • Northanger Abbey by Jane Austen (Prose fiction)
  • As I Lay Dying by William Faulkner (Prose fiction)
  • Life on Mars by Tracy K Smith (Poetry)
  • Consider the Lobster by David Foster Wallace (Nonfiction)
  • Memento by Christopher Nolan (Film)

Where a poetry or short-story collection is prescribed, the complete NESA-listed selections apply.

Extension 1 — Natural worlds

  • Samuel Taylor Coleridge: The Complete Poems by Samuel Taylor Coleridge (Poetry)
  • Island by Alistair MacLeod (Prose fiction)
  • New and Selected Poems, Volume One by Mary Oliver (Poetry)
  • As You Like It by William Shakespeare (Drama)
  • Autumn by Ali Smith (Prose fiction)
  • Sand Talk by Tyson Yunkaporta (Nonfiction)

Where a poetry or short-story collection is prescribed, the complete NESA-listed selections apply.

Extension 1 — Shakespearean worlds

  • The Arab Shakespeare Trilogy by Sulayman Al Bassam (Drama)
  • Hag-Seed by Margaret Atwood (Prose fiction)
  • The Merchant of Venice by William Shakespeare (Drama)
  • 1599: A Year in the Life of William Shakespeare by James Shapiro (Nonfiction)
  • Rosencrantz and Guildenstern are Dead by Tom Stoppard (Drama)
  • The Big Short by Adam McKay (Film)

Where a poetry or short-story collection is prescribed, the complete NESA-listed selections apply.

Extension 2 — Author study

Students examine one of the following authors through the areas of critical enquiry set by NESA.

  • Henry James
  • Haruki Murakami
  • Alexis Wright

School-specific classes

Each listing represents a separate class following the sequence, assessment demands and texts taught by that school.

The Skills Behind Strong English

Strong English begins with a close understanding of the text and the confidence to develop a considered interpretation of it. Rather than being given a reading to reproduce, students are encouraged to question the text, explore its possibilities and arrive at ideas they can genuinely explain and defend.

A significant difference between competent and accomplished writing lies in how effectively a student shapes their argument around the demands of the particular question. Through explicit teaching and detailed feedback, students learn to refine their interpretation, select evidence with purpose and construct a sustained response without losing a voice of their own.

Senior English texts and study materials

Our Principles

Confidence built on genuine understanding

Students who rely on memorised responses can struggle as soon as the question changes. We help students build a deeper understanding of their texts, their ideas, and the way strong arguments are constructed.

Progress built through better habits

The students who improve the most aren't always the ones who find English easy. They're often the ones who learn to think carefully, revise honestly, and use feedback well.

Personalised guidance, not one-size-fits-all teaching

Every student arrives with different strengths, texts, goals, and gaps. We work closely with the student in front of us, helping them understand what they need to improve and how to get there.

Precision through intentional writing

Strong ideas only earn marks when they're expressed with clarity and control. We teach students how to shape a focused argument, use evidence with purpose, and respond precisely to the question.

How It Works

We're currently welcoming families to our waitlist ahead of our inaugural Term 4 cohort. Here's what to expect:

  1. Join the waitlist

    Fill out the form and we'll be in touch as spots open up.

  2. Free consultation

    We'll talk about your child: where they're at, what they're working on, and what they want to achieve.

  3. Trial lesson

    Your child sits in on a class so we can see how they work and they can see how we teach. No commitment.

  4. Placement

    We match your child to the right group based on their year, their texts, and their goals.

The Reading Fox Difference

Every teacher at The Reading Fox is personally selected and trained by Fifi, and held to the same standard she sets in her own classroom.

Enquire for Term 4